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In "Common Ground, Gary Okihiro uses the experiences of Asian Americans to reconfigure the ways in which American history can be understood. He examines a set of binaries--East and West, black and white, man and woman, heterosexual and homosexual--that have structured the telling of our nation's history and shaped our ideas of citizenship since the late nineteenth century. Okihiro not only exposes the artifice of these binaries but also offers a less rigid and more embracing set of stories on which to ground a national history.Influenced by European hierarchical thinking in the late nineteenth and early twentieth centuries, Anglo Americans increasingly categorized other newcomers to the United States. Binaries formed in the American imagination, creating a sense of coherence among white citizens during times of rapid and far-reaching social change. Within each binary, however, Asian Americans have proven disruptive: they cannot be fully described as either Eastern or Western; they challenge the racial categories of black and white; and within the gender and sexual binaries of man and woman, straight and gay, they have been repeatedly positioned as neither nor. Okihiro analyzes how groups of people and numerous major events in American history have generally been depicted, and then offers alternative representations from an Asian-American viewpoint--one that reveals the ways in which binaries have contributed toward simplifying, excluding, and denying differences and convergences. Drawing on a rich variety of sources, from the Chicago Exposition of 1898 to "The Wizard of Oz, this book is a provocative response to current debates over immigration and race, multiculturalism andglobalization, and questions concerning the nature of America and its peoples. The ideal foil to conventional surveys of American history, "Common Ground asks its readers to reimagine our past free of binaries and open to diversity and social justice.

The setting is Atlanta, Georgia -- a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt. Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system. And back in Atlanta, when star Georgia Tech running back Fareek "the Canon" Fanon, a homegrown product of the city's slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city's delicate racial balance from blowing sky-high. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates -- Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker's deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages -- Tom Wolfe's most outstanding achievement to date.

Asian fetish - The term "Asian fetish" is a colloquialism used in the English-speaking world, which represents an intense sexual attraction of a non-Asian, typically a white man, to Asian women, primarily East Asians (such as Chinese, Japanese, Koreans, Taiwanese), to such an extent that it is difficult or impossible for him to form healthy, meaningful relationships with women of his own race, or even non-Asian women in general.

White Town - White Town is a techno-pop act (actually only one man, Jyoti Mishra, born in Rourkela, India, on July 30, 1966; Mishra has lived in England since the age of three), often regarded as a one-hit wonder for its 1997 song "Your Woman", which sampled a 1930s song called "My Woman" by Al Bowlly, which was featured in the Dennis Potter drama Pennies From Heaven. This single was often known not by its name, but by the title of the ...

Free, White and 21 - Free, White and 21 was a 1963 movie by self-proclaimed "schlockmeister", Larry Buchanan. It was based on the true story of the controversial trial of a black man accused of raping a white woman in Dallas, Texas in the 1960s.

White tantrism - White Tantrism is a form of sexual alchemy which involves a man and a woman making sexual contact then transmuting their sexual energies whilst remaining still throughout the act and withdrawing without orgasm. It is regarded by its practitioners as an essential spiritual exercise for awakening consciousness rather than purely an act of pleasure.

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