Man White Linen Shirt

Melville wrote White-Jacket; or, The World in a Man-of-War during a two-month period of intense work in the summer of 1849. He drew upon his memories of naval life, having spent fourteen months as an "ordinary seaman" aboard the frigate United States as it sailed the Pacific and made the homeward voyage around Cape Horn. A crewman on the man-of-war Neversink, White-Jacket gets his name from the shirt he turned into a coat and lined with rags, old trouser legs, and cast-off socks. The journey he undertakes is dangerous -- a man falls overboard, White-Jacket tumbles from the rigging, and the least insubordination is punished with the lash. Melville's story portrays the inhumanity of naval life, saving special vitriol for the unnamed ship's surgeon, who has the power to stop a flogging if a man's life is endangered -- but never does; and for the inept Dr. Cuticle, who amputates a sailor's healthy leg to make a point. The description of such excesses was instrumental in convincing the United States Navy to outlaw flogging. Many scandalized Northern readers acknowledged that the treatment of sailors was little different than that given to slaves in the South. Melville regarded the writing of White-Jacket as a mere job, undertaken for much-needed cash, but the novel received almost universal acclaim. The English liked its praise of British seamen and its vivid descriptions of naval life. Americans were interested in Melville's attack on naval abuses and his advocacy of humanitarian causes. Part autobiography, part epic fiction, White-Jacket remains an imaginative social novel by one of the great writers of the sea.

When I was fourteen I happened to meet the celebrated drama critic, Jack Kroll. We were in his New York office at Newsweek when he asked me what I wanted to do with my life. I told him I'd like to write plays, if I could. "Would you now?" He handed me a Grove Press edition of Pinter: Plays One and said, "You'd better have this then". In 1995 my first play was put on at the National Theatre One night, I was knocking around the lighting box just before curtain up, "Anyone in?" The Deputy Stage Manager, said, "Harold Pinter". "Yeah, yeah". "No, really". A few days later I received a little note from him, congratulating me on the play. I kept the note in my breast pocket for a month. In May of 1999 we had lunch. Harold wore a black shirt and drank white wine. In fact, we drank a fair amount of white wine together. I'd put it about, via our mutual agent, Judy Daish, that I'd be pretty keen to direct The Caretaker and word came back that Harold would not be averse. So we discussed the play in an adult fashion, director to play-wright. I wondered when someone was going to tap me on the shoulder and wake me from this fantasy. A month or two later I called Harold to discuss some bit of production business. He came to the phone, full of beans. "Hallo, Harold. You sound well". He told me that he was "well" and that he was writing a new play. He spoke like a man who had never written a play before, thrilled and delighted that the words were flowing. I was stabbing around in the dark with a new one. Harold asked after it delicately; he treated me like a fellow writer, as if all writers are equals, all prone to the same problems. When I directed my second play, Closer, onBroadway, Jack Kroll came to interview me for Newsweek magazine. We chatted away in the lobby of the Algonquin Hotel where I was staying. I told him he'd given me a book some twenty years ago and that it had been more than useful. He was delighted.

White van man - White Van Man is a usually pejorative term used in the United Kingdom for drivers of light commercial vehicles, which are commonly coloured white, the same colour they left the factory, since White Van Man typically does not label or paint his vehicle, in order not to reduce its resale value. They also tend to be Ford Transits.

Man in White - The Man In White is an experimental networked narrative that involved a group of students from the School of Interactive Arts and Technology (SIAT), one dressed entirely in white, walking around the busier thouroughfares in Vancouver, BC towing a wagon full of paint. The idea was that anyone walking past could grab a brush and help to color in the Man In White.

White-van man - Originating from Britain, white-van man refers to the sort of man who drives a white van in an aggressive way, thought of as a symbol of the rude and sometimes violent way in which some men behave today. It was coined in 1997, by Sarah Kennedy on BBC Radio 2, van drivers have taken on the shroud of what sociologists refer to as 'folk devils'.

Play the white man - Play the white man is a racist term used in parts of England meaning to be decent and trustworthy in one's actions. The term is considered to be extremely derogatory against non-white people because it carries the implication that they are indecent or untrustworthy.

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